藝(yì )術家自(🔼)(zì )古(😁)皆(jiē )寂(jì )寞或(huò )許是境(jì(👐)ng )界，人(👎)到中年萬事憂則是現實(🗞)。在畫(🏮)室洋洋灑(sǎ )灑呈現(xiàn )自(🧦)由(🍺)雄(xió(😂)ng )風的裸(luǒ )男畫作(zuò )令他(🚝)一舉(🐰)成名，在家面對前妻懷(huá(🏕)i )着(🐴)新歡(👄)(huān )骨肉、與女兒(ér )相處(🚡)(chù )尷(🈷)(gān )尬卻(què )令他一籌莫(🚸)展(🤩)。貝(🦀)蒙特的寂寞，在於如何在著(zhe )名(💯)畫家(📕)(jiā )與單親(qīn )爸爸雙(shuā(📅)ng )重(✅)身(🌋)份(fèn )、藝術(shù )創作與家(🍖)庭生(🐇)活之間取得平衡。維羅（《電(🥟)影(🀄)(yǐ(🔦)ng )就在(zài )街(jiē )角》，35 屆）找來(🚹)合作(🚠)多年的編劇兼美指好友(🎣)對(💬)號入(👺)座，還(hái )原藝術(shù )家有血(😛)(xuè )有(✨)肉的(de )矛盾本(běn )性，在出世(🕠)與(📦)入世(🏮)的兩難外，毋(wú )忘點點(diǎ(📦)n )超現(🤫)實(shí )的幽默(mò )。
30岁(suì )的(🚩)(de )屌(🥌)丝(🕕)(sī )青年李星辰遭遇感情伤害(🏴)后整(🏘)日花天酒地，靠(kào )着自(🚶)己(⏰)(jǐ(🐸) )口才和(hé )坑蒙拐(guǎi )骗开(🏳)了(le )一(🎣)间星(xīng )座的咨询室，生意一(🕛)般(😳)，但(🌈)自由(yóu )自在无(wú )拘无束(📨)(shù )的(✂)生(shēng )活(huó )着。
一场大(dà )规(🦁)模(😥)枪击(🎮)案后，七位民兵藏匿于一(🍭)个木(🏔)材仓库(kù )中，与(yǔ )此同时(🎇)(shí(🈷) )，一行(🍈)(háng )人有了(le )一个不安的发(📵)现：(🍙)他们的军械库(kù )丢失(🎣)了(🎫)(le )一(🍄)支AR-15步(bù )枪，而(ér )这把(bǎ )武(wǔ )器(👺)的(de )型(😸)号正与传闻中枪击案(🥪)肇(😌)事(🤙)者所用完全一致。担心当(🌧)(dāng )局(🔛)已将(jiāng )他们与(yǔ )枪击案(à(🐭)n )联(🌏)系(🥏)在(zài )一起，为了自身的安(📨)全，民(😽)兵们(men )决定找(zhǎo )出队伍(wǔ(💪) )中(🍾)的(de )叛(🚵)(pàn )变者(zhě )交给警(jǐng )方。
师(👟)兄李(🕕)昆在京剧演出中打起了(🗣)广(👚)告。师(✂)弟(dì )侯广智(zhì )觉得李(lǐ(🚵) )昆侮(🈳)辱(rǔ )了戏台(tái )，两人话(😗)不(💴)投(🥊)机分道扬镳。五年(nián )后李昆(kū(👔)n )靠演(🦌)孙(sūn )大圣走(zǒu )穴发(fā(🚀) )家(⏫)(jiā(🙇) )。侯(hóu )广智则成了剧团的(💸)孙大(🍝)圣专业户。 李昆联系到(dào )一(🤯)笔(🤡)生(🧣)(shēng )意但却(què )需要侯(hóu )广(👥)智的(👜)(de )帮助。侯广智答应李昆来(🔽)见(⛰)客户(🍠)—马老(lǎo )板。马(mǎ )老板最(🐴)(zuì )近(🥩)迷(mí )上(shàng )了一(yī )个网红(🐂)(hó(📌)ng )，并准(🚯)备为她排一部《真假美猴(📹)王三(📪)打白骨精(jīng )》。因(yīn )为这(💩)违(🌶)(wé(🌈)i )反了京(jīng )剧传统(tǒng )，侯广智愤(🦎)然拒(🌾)绝。李昆偷了祖师爷的(🤚)(de )戏(🛑)服(☝)签(qiān )了合同(tóng )，愤(fèn )怒(nù(🍻) )的侯(💀)(hóu )广智与(yǔ )李昆再次决裂(⏹)。但(🔣)当(⭕)侯广智看到徒弟们(men )竭力(🧖)招(zhā(🍺)o )揽顾客(kè )时他终(zhōng )于同(😉)意(💙)(yì )演(⛵)出。 试演当天侯广智潇洒(🌍)上台(🏾)，李昆(kūn )内心对(duì )京剧的(🖼)(de )热(🦃)忱(ché(🕊)n )被(bèi )侯广(guǎng )智唤醒(xǐng )，他(🌬)配合(🙎)着侯广智说出了原汁(🚤)原(💴)味(🔉)的戏词。两(liǎng )人合演(yǎn )了一版(🛡)(bǎn )传(🍑)统的(de )《真假(jiǎ )美猴王》，这(🏬)一(👙)刻(📛)所有人都感受到了京(jī(⏰)ng )剧的(➕)魅(mèi )力。
不(bú )管这(zhè )导(dǎo )演(💖)嗑(🔼)(kē(💌) )了什么(me )很纯的，全部都要(🥘)给你(🤖)来一点！在澳洲(zhōu )这座曾(🖍)(cé(🙅)ng )经被(📌)称(chēng )作「无(wú )主之地(dì(🌊) )」（(✨)Terra Nullius）的大陆，历史以前所未(🅰)见(➰)的观(🛶)点(diǎn )重新诠(quán )释：当(dā(🏬)ng )《疯(fē(🚝)ng )狂(kuáng )麦斯(sī )》末日(rì )场(😓)景(⏬)成(🔄)为难民拘留地，食人羊成为反(🚘)殖民(📲)叛乱(luàn )份子，《沙漠(mò )妖(🔗)姬(🎎)》与(🌚)电视(shì )剧《请喜欢我》有了(❣)跨时(⛑)空的酷儿对话(huà )……本(bě(💔)n )片(🏨)以(🤸)近(jìn )似DJ取(qǔ )样(yàng )混音(yī(⛽)n )之拼(⏮)贴(tiē )手法，打开了虚构与(🛌)史(👜)实间(⛺)的神秘黑洞，大量(liàng )援引(🤣)电(dià(🔹)n )影名场(chǎng )景与历(lì )史典(🔘)故(🈺)(gù )，穿(⬅)越时空与各种语境，重写(🗂)、改(🥕)写、乱写，全面毁(huǐ )坏观(🧠)(guā(🌅)n )众的三(sān )观！这是一部政治复(😕)仇预(👓)言，杂揉讽刺喜剧、生(♟)态(🚌)恐(🥈)(kǒng )怖与公(gōng )路电影(yǐng )类型，写(🚛)下澳洲国族神话从未被纪(🈚)录(♐)的(🍔)史诗篇(piān )章。
Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
